© olivia tiberio, 2023.
Bank Nite: new work by Jennifer Dunlap, Johanna Hickey, Eva Roberts, and Olivia Tiberio. On view at the Cobra Room inside the Lone Wolf Lounge for the month of June, 2022. Come see about us.
Daytime gallery hours Saturdays from 1-4pm. There will be some kind of raffle. Inquire at the bar.
Our friends at resilient indie label Furious Hooves have put together a super fun compilation of music and art in celebration of 10 consecutive spooky seasons. I’m proud to be part of the contributing artist roster. The Furhoof Halloween Split Series 2011-2021 is available via Bandcamp as a cassette & zine combo, or you can purchase the zine on its own. Super limited to 100 copies. Happy haunting!
suspiria ‘77 by olivia tiberio, 2021.
I am pleased to announce the opening of my MFA thesis show, You Shall Know The Truth (And It Will Make You Odd), a body of figurative paintings & drawings from the last year. This will be the inaugural show at The Chapel gallery in Savannah, inside Domestic Archive.
Reception February 5th, 2021, 6:00-9:00pm, masks required.
“The Basket,” Issue 1
Some of my favorite people on the internet have put together a small zine called “The Basket,” in homage to our commonly beloved podcast The Relentless Picnic. I would certainly fail to accurately describe the podcast itself (their tagline: “Inquiry. Travesty. Not like other podcasts.”) but I can confidently say the community that’s gathered around it feels both diverse and remarkably close-knit; the only thing we all have absolutely in common is an appreciation for a certain caliber of conversation among friends. I have contributed a self-portrait and a short piece of personal writing to the first issue of “The Basket,” which is available here as a free PDF. The loose theme is “cosmos, space, the void.” Enjoy.
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Olivia Tiberio, album cover for Tangerine by Blonde Mom, oil on panel, 8 x 8”, and digital composite, 2019.
I had the pleasure of creating the artwork for the album Tangerine by Blonde Mom, a solo project by Atlanta-based composer & producer Andrew Olson. The pop songs retain an artisanal quality despite their electronic production, so it made sense to represent them with a physical oil painting. The album is available to stream everywhere; listen here on Spotify.
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Ivan Forde, "Reflection (After the Deluge)," detail, cyanotype and screen print on paper, edition of 3, 18" x 24", 2015.
Three of my paintings are included in the group exhibition “The Artist as Muse,” on view at Gutstein Gallery in Savannah, GA from Thursday, August 1 to Saturday, October 5, 2019.
From SCAD.edu: “The timeless subject of the artist self-portrait is explored across a range of mediums in this group exhibition featuring work by contemporary artists and SCAD students and alumni. The artworks on view go beyond representations of artist likeness, using the artist-self as a starting point to interrogate issues such as ego, labor, technology, identity politics and family. These artists probe the question of what defines self-portraiture within the limitless domain of contemporary art.”
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